In this wild and funny novel, a
playwright named Itamar Levy has written a play with the same title as the
novel. He is active at rehearsals and fills in for the lead actor when the
latter gets sick. Hugo, the protagonist of the play, is a 70 something Holocaust
survivor, and the action takes place in the Tel Aviv apartment of his neighbor,
Rivka. One day, Hugo sneaks into her living room while she is taking a shower,
and in a closet he finds an amazing machine that can simulate earthquakes. Hugo
activates the machine… and the whole building collapses. However, he survives
and finds himself alone with a hand—not his—sticking out of the ruins. He imagines
that it is Rivka’s and by the time rescue workers get to the scene, Hugo has
established a relationship with it and regaled it with his feats of heroism,
including revenge on his caretaker’s Thai boyfriend, and rescuing a young girl
from a terrible fire. Itamar the playwright’s feats are no less amazing: he
discovers that a dead friend’s body has been replaced by an unknown woman, who
is buried instead of him. But only Itamar knows about this. On the other hand,
the whole country has read in the press that he tried to murder the lead actor
in his play. (In fact, the actor tried to commit suicide and Itamar saved his
life.) In the meantime, as Itamar’s involvement in the production grows, Hugo
slowly starts to control him. But who does all this happen to? And how is
Itamar Levy the playwright connected to Itamar Levy the author of this novel?
A bold book that presents life as a
drama of the absurd—and ourselves as actors going around in masks.
REVIEWS
You know you have a good
book in your hands when you can’t imagine how it would have been possible to
write it differently … Hugo’s Earthquake honors the entire body of this
author’s work, as it bears the imprint of his unique writing style. His loyalty
to his creative cores unites here with a level of literary polish that is
worthy of study … Levy juggles events
skillfully … This is fine literature that provides quality entertainment but
also offers a lesson in rigorous reading and for those who desire it, a lesson
in how to write daringly.
Talma Admon, Maariv
This book does not let go of you, even
for a moment …Challenging, thought-provoking, riveting.
Iris Ganor, Literary blog
It's fascinating. A
sweeping book.
Dan Margalit, IETV